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Jennifer Terran Press:
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SB NEWS PRESS/ Business
Section, U.S.A. (www.santabarbaranewspress.com)
June 16 2002 INTERVIEW |
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The big-label recording contract may no longer hold Holy Grail status among local musicians looking for a way to get their music heard by the masses. At least two acts from Santa Barbara - a skate punk band, and solo act Jennifer Terran - have found reasonable success in distributing their music themselves. While they differ in their views about the need for assistance from a label, they stand together in not wanting to "sell out" and give up creative control of their music in their quest for finding a wider audience. Fortunately, the wide-reaching Internet has helped
them attract enough fans to support both their high ideals and recording
costs. "It's sad to see artists who are on MTV and the radio constantly, and are touring relentlessly, yet they're broke," because the recording industry is set up so that the labels usually make all the money, Ms. Terran said. She added that she's glad to hear that the major labels are suffering from lower sales, because it means that they don't have an exclusive market when it comes to earning the loyalty of music fans. "I can understand (the labels) have their costs, but as a general rule, it's more on the side of being unjust for artists," said the soft-spoken Ms. Terran. That's why she decided to start her own record label, Grizelda Records, in 1996. In the past six years, she has financed three albums on her own- "Cruel", "Rabbit" and her latest CD "The Musician, " released in 2000. She sells the CDs on her Web site, jenniferterran.com, and at her live shows. This direct sales method allows her to keep 100 percent of the profits. Her CDs have paid for themselves, she said, though she provided no specifics on how many CDs have sold. Ms. Terran said she's been able to support herself primarily through her music. She also teaches hip-hop dance classes in Santa Barbara. Until just recently, Ms. Terran said she had turned down offers from record labels because she would have had to give up too much control over her music. She did however sign a licensing deal last week with Continental Record Services in Holland, the European arm of independent label Rounder Records, based in Cambridge, Mass. "CRS read a review of my album ("The Musician") and they contacted me," Ms. Terran said. Signing with a record label and doing a licensing deal are very different, she explained. Because she produced and financed "The Musician" herself, CRS does not own the copyright on it, she said. "They borrow the album for five years and make a profit from it. They distribute it, promote it and maybe help with touring, and ,otherwise perform all the functions of a label," Ms. Terran said. When musicians sign a recording contract, they usually sign over their rights to their music. The label owns the music, not the artist, she said. "If you look on the back of a CD, you'll see the copyright belongs to the recording company, not the artist," she explained. "That's the cool thing about what I'm doing," said Terran. "I would feel pretty uncomfortable if I had to sign my life over to a record label." |
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| By Maria Zate |